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Gluck’s masterpiece has a disturbing edginess which makes it refreshingly astringent. Beverley Brommert reviews

Continue Reading Gluck’s masterpiece has a disturbing edginess which makes it refreshingly astringent. Beverley Brommert reviews

“I want the story to be created seamlessly by the singing, acting and dancing” Louisa Talbot

Continue Reading “I want the story to be created seamlessly by the singing, acting and dancing” Louisa Talbot

Tim Murray, Conductor for Orphée et Eurydice Q&A for Next48hours

Continue Reading Tim Murray, Conductor for Orphée et Eurydice Q&A for Next48hours

ORPHÉE ET EURYDICE | TWO WOMEN IN LOVE – Beverley Brommert

Continue Reading ORPHÉE ET EURYDICE | TWO WOMEN IN LOVE – Beverley Brommert

ORPHÉE ET EURYDICE | BAXTER THEATRE | SEPTEMBER 3. 5. 7

Continue Reading ORPHÉE ET EURYDICE | BAXTER THEATRE | SEPTEMBER 3. 5. 7

CTO YOUNG ARTISTS RETURN FROM THE UK

Continue Reading CTO YOUNG ARTISTS RETURN FROM THE UK

CLASSICAL NOTES WITH CAPE TOWN OPERA AND DE KUILEN HIGH GIRLS CHOIR

Continue Reading CLASSICAL NOTES WITH CAPE TOWN OPERA AND DE KUILEN HIGH GIRLS CHOIR

NEW! Soweto Uprising – The Aftermath

Continue Reading NEW! Soweto Uprising – The Aftermath

CAPE TOWN OPERA in the UK this July

Continue Reading CAPE TOWN OPERA in the UK this July

St Mary’s Choir and Cape Town Opera Chorus Concert

Continue Reading St Mary’s Choir and Cape Town Opera Chorus Concert

Youth Opera inspired by themes from ORPHÉE ET EURYDICE

Continue Reading Youth Opera inspired by themes from ORPHÉE ET EURYDICE

‘I will die if you are not mine, if every hope is taken from me.’ ‘You are my joy, my bride.

Continue Reading ‘I will die if you are not mine, if every hope is taken from me.’ ‘You are my joy, my bride.